« I have mentioned the Stanislavski Technique. This is exactly what I try to do. Basically, I propose a photograph that stimulates the observer to a series of sensations, one of which is, certainly, curiosity. Cinematic photography tells a story, but photography also gives you an opportunity to create a narrative with a single image. Another aspect that I try to recreate is that of a déjà-vu. I try to create images that can leverage memories. It's no coincidence that my favorite artists, photographers, painters, and directors are my favorites precisely because their work has triggered a memory in my head, a memory that goes directly to a specific emotion, an intimate emotion, that I almost certainly have already experienced. And a memory, somehow, that is a positive or a negative memory, always brings you emotions. »  

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